Fluid ribbon links in oxidized gold with labradorite drops that flash spectral blue when light catches them. The molten finish gives them a cast-and-poured quality that's entirely handmade.

A clean linear drop anchored by a smooth black mother of pearl cabochon — iridescent and almost hypnotic. Subtle enough for work, singular enough to be the only jewellery you need.

The distilled Bittar formula in miniature: Lucite hand-carved to look like poured liquid, laced with gold. Small post format means you can wear them every day without thinking about it — but you'll think about them.

From the Brut line — Bittar's brutalist response to over-refined jewelry. Stone fringe hangs from oxidized gold architecture that looks like it was pulled from a sixties sculptor's studio rather than a jewelry bench.

Pearls and spikes shouldn't work together. They do here. A pavé-set gold spike drops to a pearl that's been punctuated rather than prettified — with tanzanite in the mix adding violet depth to the composition.

Hand-linked gold chain with chrysoprase — that saturated apple green against warm gold is the kind of color combination that makes everything else in the room look like it's trying too hard. Long enough to layer or wear alone.

The crescent is one of Bittar's most recurring forms — here carved in Metallic Sky Lucite and tipped with oxidized gold caps. Minimal at a glance, full of detail up close. The kind of piece that photographs beautifully and wears even better.

Part of Bittar's botanical Solanales line. Crystal-encrusted spear forms radiate from the neckline in a way that's more architecture than jewellery. Maximum drama at minimal weight — the Lucite engineering is invisible until you lift it.

Larimar — found only in the Dominican Republic — set in gold link chain from the Asterales collection. The pale sky-blue stone looks like it came from another planet; the gold grounds it in something more ancient. A rare stone in a wearable format.

A double-band silhouette referencing 18th-century Georgian jewellery with a central iolite stone — a pleochroic gem that shifts from violet to grey to pale straw depending on the angle. Wears like a family heirloom, costs like a Vault Sale.

The panther has been a jewellery motif since Cartier put one on the Duchess of Windsor's wrist. Bittar's version is sculptural and direct — a gold panther face that reads as confident rather than precious. Conversation piece, immediate statement.

Named for the satellite — appropriately, because this ring orbits the finger in a spiral of pavé crystals that catches light from every direction. In silver rather than gold, it reads as more modern and a little more edge. Chunky, joyful, unmistakably Bittar.